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Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West, by Lucy R. Lippard
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Review
"[A] brilliant and penetrating fantasia on land use and exploitation. . .This singular book will stir the 'creative energies' of veteran Lippard fans and environmentalists as well as a new generation of artist-activists."— Publishers Weekly (starred review) "This is a marvelous slim book full of dirt: the literal dirt and gravel and other materials of the earth, and the unseen, unsung source in that earth of all the building materials of the cities, the cement and concrete, the uranium and oil. Lucy Lippard weaves, as only she can, ideas, facts, images, and histories into a whole about the rawness of raw materials and the ecology of the manmade world."—Rebecca Solnit "Lippard weaves a complex narrative that moves through the slow processes of ecology to the blitzkrieg of development and extraction. Thoughtful, poetic, and unflinchingly critical, she also presents a way to consider the value of art in the collaborative fight for a sustainable future."—Nato Thompson, chief curator, Creative Time "This is an intensely personal narrative of degraded ecosystems, exhausted lands, and dispirited peoples. Readers will be captivated by Lippard’s gut-wrenching identification with, and her eloquent elucidation of, accumulating hazards and diminishing resources."—Linda Weintraub, author of To Life!: Eco Art in Pursuit of a Sustainable Planet and Art on the Edge and Over "Lippard’s timely book extends beyond the discourse of art history and cultural geography. It is a call for action. She guides us on a tour of the American West that is being ravaged by oil and gas interests, damaging both the environment and our collective psyche. Her critique and the numerous artists that she weaves into her narrative visualizes the destruction, as well as presenting alternatives that could direct land use toward a more just and sustainable future."—Nicolas Lampert, author of A People’s Art History of the United States "Investigating both the ‘undermining’ of environmental sustainability by capitalist industry and the critical ‘undermining’ of normative approaches to nature by artists, Lucy Lippard offers an insightful model of how to live locally with ecological consciousness, doing so without surrendering to a narrow parochialism or losing sight of social justice imperatives."—T.J. Demos, reader, department of art history, University College London "What you don’t know can hurt you. This is true not just in the case of the slow violence through which various forms of environmental toxins seep into our bones and blood. As Lucy Lippard shows in her brilliantly hybrid book, it is also true of the subterranean spaces where these toxins are often stored and, in many cases, blasted, excavated, generated, and buried. Surveying the land beneath that most iconic of American landscapes, the Southwest, Lippard traces the links between the gravel mined for roads, the coal mined for electricity, and the uranium mined for nuclear weapons in the region, just to name a few of the connections she makes. Lippard brings these hidden economies to light, describes the fight of groups such as the Zuni against the despoliation of the land, and presents striking examples of land use art that is helping to galvanize public opinion against the undermining of the West."—Ashley Dawson, professor of English, CUNY Graduate Center Praise for The Lure of the Local :"Lippard overwhelms us with the breadth of her reading and comprehensiveness with which she considers the things that define place."—The New York Times "Interesting and thoughtful. . . . Her critiques are often delightfully acidic. . . . A solid contribution to popular geography."—Kirkus "An excellent reference guide to recent and historical place-oriented art and activism."—Preservation Praise for Mixed Blessings :"Lucy Lippard's intellectual devotion to the power of women and persons of color enacted and idealized within their works of visual art has brought her to level of discourse that is rich in democratic possibility and promise. I love this book, in short, and recommend it highly."—Robert Farris Thompson, professor of African and African American art history, Yale University
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About the Author
Lucy R. Lippard is an internationally known writer, activist, and curator. She has authored twenty-two books, has curated more than fifty major exhibitions, and holds nine honorary degrees. Lippard is the recipient of numerous awards, including a Guggenheim Fellowship and two National Endowment for the Arts grants. She lives in New Mexico.
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Product details
Paperback: 208 pages
Publisher: The New Press (April 15, 2014)
Language: English
ISBN-10: 1595586199
ISBN-13: 978-1595586193
Product Dimensions:
6.2 x 0.8 x 8 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#544,134 in Books (See Top 100 in Books)
I like the small size of this edition, also good for The New Press with decent color photos and paper quality.
An excellent, concise and informative book.
Lucy Lippard is in touch with the universe and shares the relevant facts of life for this day and age. Activism is alive and well but of course it's easy to see who's winning. I'm blown away by how much territory Undermining covers, sweeping over the landscape we all know and love. Lippard articulates the web of connections that profoundly describe what nature has become, and how humans continue to plunder the future of the planet. The images that support the text are great, and she includes the facts that matter but they don't bog you down. It's an important document of now."Pessimism of the intellect and optimism of the will"-that's it in a nutshell. Of course, there's no giving up.
Another thought-provoking book by Lucy Lippard, a most original thinker and art critic. She establishes a dialog between the appalling facts of land (ab)use in America and the way many artists have addressed those issues. Along the way the reader is taken from gravel pits in the mythologized Great American West all the way to the Ground Zero 9-11 memorial in New York City. It may seem like the "wild ride" of the title, but the author holds firmly your hand (and your mind) through it. Thoroughly enjoyable -- and you'll learn a lot of new things as well.
info needed to save the planet
Never disappoints. I cherish all my Lippard books.
Superb. Great and important book.
great book, am writing about it in the Brooklyn Rail!
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Free Download Rastafari: From Outcasts to Culture Bearers
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Rastafari: From Outcasts to Culture Bearers
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Review
"Ennis Edmonds provides a lucid and thought-provoking argument for how Rastafari has become established as a mainstay in Jamaican culture. Modifying Weberian notions of routinization and charisma, Edmonds demonstrates how Rastafari symbols have permeated Jamaican society, ensuring the continued existence of the movement despite its minimal formal structure. Rastafari is important not only to scholars of Caribbean religions, but to anyone interested in how new religions find a stable place in society."--Richard C. Salter, Department of Religious Studies, Hobart and William Smith Colleges"Not only does Edmonds' work provide an engaging introduction to the history, cosmology, structure and ritual of Rastafari, it also presents a strong framework for understanding how this religious movement grew from its roots among a group of "denigrated outcasts" to a world religion without developing the institutional forms that scholars generally associate with religions. With a sophisticated reworking of Max Weber's theory of charisma and routinization, Edmonds sheds light on the development of this particular movement but also poses challenging questions about the histories of religious movements more broadly. Edmonds' work is essential reading for anyone interested in Rastafari and in theoretical approaches to religious movements."--Judith Weisenfeld, Department of Religion, Vassar College"Edmonds's work sounds a new depth in the maturing of the scholarship on Rastafari. Not simply another general introduction, this book adapts Weber's theory of charisma and rountinization to analyze Rastafari, thereby breaking new scholarly ground and yielding many intriguing insights to our collective knowledge of this globally-impacting two-thirds world identity movement. As such, this study is a welcome contribution."--William David Spencer, author of Dread Jesus and co-editor of Chanting Down Babylon: The Rastafari Reader"Ennis Edmonds's Rastafari is cogently written and persuasive. I am undecided as to which is more valuable, its contribution to the literature on charisma and routinization or its contribution to the literature on Rastafari. In truth it is a fine introduction to Weber's thesis on the institution of religion and at the same time an excellent explanation to anyone trying to understand how it is that after seven decades Rastafari is such an integral part of the Jamaican mindscape but must still fight for its legitimacy."--Barry Chevannes, author of Rastafari: Roots and Ideology
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About the Author
Born and raised in Jamaica, Ennis Barrington Edmonds is a sociologist of religion and was Director of Pan African Studies and Assistant Professor of Sociology at Barnard College from 1996-2001.
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Product details
Hardcover: 208 pages
Publisher: Oxford University Press; 1 edition (December 26, 2002)
Language: English
ISBN-10: 0195133765
ISBN-13: 978-0195133769
Product Dimensions:
9.1 x 1 x 6.2 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#3,321,668 in Books (See Top 100 in Books)
Rastafari: From Outcasts to Culture Bearers. New York: Oxford University Press, 1993. (Pp. x -194). By Ennis Barrington Edmonds.The publication of Rastafari represents the author's maturing views on the birth and development of a powerful religious movement from the Majority World-a movement regarded by some as the only major religion having its genesis in the 20th century. Here we learn of the humble beginning of the movement in the 1930s, its consolidation in the following two decades, its flowering in the 70s and 80s and of its global impact particularly in the final decade of the last century.In seven chapters, Edmonds successfully argues his thesis that the entrenchment of Rastafari was made possible by ` (1) the internal development of the movement, (2) the gradual rapprochement between the movement and the wider society, and (3) the impact of Rastafari on the evolution of Jamaica's indigenous popular culture' (p.4). The appendix, " A Review of the Literature on Rastafari," significantly updates the material found in the dissertation. One notices too that the writer has carried out his sociological analysis so rigorously that there is little or no evaluation of the theological and historical claims of Rastafari. For example, whereas others of pointed out the lack of documentary evidence for the Garvey prophecy concerning the crowning of Ras Tafari, Edmonds appears prepared to defend the prediction by invoking the reliability of the oral tradition that bears it (p. 147 n.34). Edmonds is also optimistic that the movement has a bright future but also observes that "during the decade of the 1990s several notable Rastas, including Tommy Cowan and Judy Mowatt (of the I/Threes [sic]), converted to evangelical Christianity. This defection raises further questions about the possible demise of Rastafari.'" In fact, Ms. Mowatt, in an interview on Jamaica's CVM TV, even claims that the late Robert Nesta Marley made a deathbed profession of faith. A similar testimony is to be found in Hannah's book (p. 62). Interestingly, Marley's mother, turned biographer (Bob Marley: An Intimate Portrait), was a Christian before she was converted to the Rastafari by her famous `Jam-icon' son.I have noticed just a single typo, something looking like an e-mail address on page 49: ` the lying. Preacher.' All in all, Rastafari is recommended as one of the most up-to-date and balanced treatments by a non-Rasta. For the student and scholar in particular, it should be read alongside Dr. Ikael Tafari's monograph, Rastafari in Transition, also from a sociological perspective.
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Free Ebook Roofing: Materials & Installation
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Roofing: Materials & Installation
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Product details
Paperback: 208 pages
Publisher: Sterling (May 1, 2004)
Language: English
ISBN-10: 0806992964
ISBN-13: 978-0806992969
Product Dimensions:
7.8 x 0.8 x 9.8 inches
Shipping Weight: 1.7 pounds
Average Customer Review:
4.6 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#1,800,386 in Books (See Top 100 in Books)
This book answered all my questions with straight-forward, easy to understand instructions and illustrations. It not only answers "how" but also answers "why". It covers every type of roofing I could think of. I'm not sure if it would offer anthing new to a professional but for a do-it-yourselfer like me it was exactly what I was looking for. In particular, I had been having a hard time finding anything online that explained the composite shingle weaving technique for valleys. This book explained and illustrated it very clearly and gave other solutions for valleys as well.
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Ebook Download The Book of Pitch Exploration: Can Your Voice Do This? (First Steps in Music series)
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The Book of Pitch Exploration: Can Your Voice Do This? (First Steps in Music series)
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Product details
Age Range: 3 - 7 years
Grade Level: Preschool - 2
Series: First Steps in Music series
Paperback: 33 pages
Publisher: Gia Publications; 5276 edition (April 1, 2004)
Language: English
ISBN-10: 157999265X
ISBN-13: 978-1579992651
Product Dimensions:
7 x 0.2 x 10 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#359,293 in Books (See Top 100 in Books)
This is another Feierabend winner. It's great for imaginative activities to get elementary music students to experiment with their singing voices...especially developing their head voices. Some examples of activities are vocal sirens and imitating whale sounds.
Great tool for music educators!
Using this with my pre schoolers at camp this year and the love the activities!
This is a good resource for teaching my youngest students. I'm still figuing out how to incorporate it bestin my lessons.
I am using some of these for pre-K and need more ideas...they all help.
I learned so much from this book. It was very easy to read and apply to my general music classes.
Already using some of his activities with my kindergarten and 1st grade classes.
This is great! My students love all of the activities in the book, and it's truly a great way to get very young singers to explore their head voice.
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Download PDF Islas Baleares: Ibiza, Formentera, Mallorca, Cabrera and Menorca, by Graham Hutt
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Product details
Hardcover: 264 pages
Publisher: Imray Laurie Norie & Wilson; 9th Revised edition edition (March 30, 2011)
Language: English
ISBN-10: 184623283X
ISBN-13: 978-1846232831
Product Dimensions:
8.2 x 0.8 x 11.8 inches
Shipping Weight: 2.6 pounds
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#1,339,331 in Books (See Top 100 in Books)
It was our first time yachting in Mediterranian and this book helped us very much. We found description of each marina, each port, good and bad places for anchoring, phones and web-sites of marinas. In addition, author's comments about price levels and availability of berths in hot season helped us.
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PDF Download Ready Player One (Movie Tie-In): A Novel, by Ernest Cline
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Ready Player One (Movie Tie-In): A Novel, by Ernest Cline
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About the Author
ERNEST CLINE is an internationally best-selling novelist, screenwriter, father, and full-time geek. He is the author of the novels Ready Player One and Armada and co-screenwriter of the film adaptation of Ready Player One, directed by Steven Spielberg. His books have been published in over fifty countries and have spent more than 100 weeks on The New York Times bestseller list. He lives in Austin, Texas, with his family, a time-traveling DeLorean, and a large collection of classic video games.
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0001I was jolted awake by the sound of gunfire in one of the neighboring stacks. The shots were followed by a few minutes of muffled shouting and screaming, then silence.Gunfire wasn’t uncommon in the stacks, but it still shook me up. I knew I probably wouldn’t be able to fall back asleep, so I decided to kill the remaining hours until dawn by brushing up on a few coin-op classics. Galaga, Defender, Asteroids. These games were outdated digital dinosaurs that had become museum pieces long before I was born. But I was a gunter, so I didn’t think of them as quaint low-res antiques. To me, they were hallowed artifacts. Pillars of the pantheon. When I played the classics, I did so with a determined sort of reverence.I was curled up in an old sleeping bag in the corner of the trailer’s tiny laundry room, wedged into the gap between the wall and the dryer. I wasn’t welcome in my aunt’s room across the hall, which was fine by me. I preferred to crash in the laundry room anyway. It was warm, it afforded me a limited amount of privacy, and the wireless reception wasn’t too bad. And, as an added bonus, the room smelled like liquid detergent and fabric softener. The rest of the trailer reeked of cat piss and abject poverty.Most of the time I slept in my hideout. But the temperature had dropped below zero the past few nights, and as much as I hated staying at my aunt’s place, it still beat freezing to death.A total of fifteen people lived in my aunt’s trailer. She slept in the smallest of its three bedrooms. The Depperts lived in the bedroom adjacent to her, and the Millers occupied the large master bedroom at the end of the hall. There were six of them, and they paid the largest share of the rent. Our trailer wasn’t as crowded as some of the other units in the stacks. It was a double-wide. Plenty of room for everybody.I pulled out my laptop and powered it on. It was a bulky, heavy beast, almost ten years old. I’d found it in a Dumpster behind the abandoned strip mall across the highway. I’d been able to coax it back to life by replacing its system memory and reloading the stone-age operating system. The processor was slower than a sloth by current standards, but it was fine for my needs. The laptop served as my portable research library, video arcade, and home theater system. Its hard drive was filled with old books, movies, TV show episodes, song files, and nearly every videogame made in the twentieth century.I booted up my emulator and selected Robotron: 2084, one of my all-time favorite games. I’d always loved its frenetic pace and brutal simplicity. Robotron was all about instinct and reflexes. Playing old videogames never failed to clear my mind and set me at ease. If I was feeling depressed or frustrated about my lot in life, all I had to do was tap the Player One button, and my worries would instantly slip away as my mind focused itself on the relentless pixelated onslaught on the screen in front of me. There, inside the game’s two-dimensional universe, life was simple: It’s just you against the machine. Move with your left hand, shoot with your right, and try to stay alive as long as possible.I spent a few hours blasting through wave after wave of Brains, Spheroids, Quarks, and Hulks in my unending battle to Save the Last Human Family! But eventually my fingers started to cramp up and I began to lose my rhythm. When that happened at this level, things deteriorated quickly. I burned through all of my extra lives in a matter of minutes, and my two least-favorite words appeared on the screen: game over.I shut down the emulator and began to browse through my video files. Over the past five years, I’d downloaded every single movie, TV show, and cartoon mentioned in Anorak’s Almanac. I still hadn’t watched all of them yet, of course. That would probably take decades.I selected an episode of Family Ties, an ’80s sitcom about a middle-class family living in central Ohio. I’d downloaded the show because it had been one of Halliday’s favorites, and I figured there was a chance that some clue related to the Hunt might be hidden in one of the episodes. I’d become addicted to the show immediately, and had now watched all 180 episodes, multiple times. I never seemed to get tired of them.Sitting alone in the dark, watching the show on my laptop, I always found myself imagining that I lived in that warm, well-lit house, and that those smiling, understanding people were my family. That there was nothing so wrong in the world that we couldn’t sort it out by the end of a single half-hour episode (or maybe a two-parter, if it was something really serious).My own home life had never even remotely resembled the one depicted in Family Ties, which was probably why I loved the show so much. I was the only child of two teenagers, both refugees who’d met in the stacks where I’d grown up. I don’t remember my father. When I was just a few months old, he was shot dead while looting a grocery store during a power blackout. The only thing I really knew about him was that he loved comic books. I’d found several old flash drives in a box of his things, containing complete runs of The Amazing Spider-Man, The X-Men, and Green Lantern. My mom once told me that my dad had given me an alliterative name, Wade Watts, because he thought it sounded like the secret identity of a superhero. Like Peter Parker or Clark Kent. Knowing that made me think he was must have been a cool guy, despite how he’d died.My mother, Loretta, had raised me on her own. We’d lived in a small RV in another part of the stacks. She had two full-time OASIS jobs, one as a telemarketer, the other as an escort in an online brothel. She used to make me wear earplugs at night so I wouldn’t hear her in the next room, talking dirty to tricks in other time zones. But the earplugs didn’t work very well, so I would watch old movies instead, with the volume turned way up.I was introduced to the OASIS at an early age, because my mother used it as a virtual babysitter. As soon as I was old enough to wear a visor and a pair of haptic gloves, my mom helped me create my first OASIS avatar. Then she stuck me in a corner and went back to work, leaving me to explore an entirely new world, very different from the one I’d known up until then.From that moment on, I was more or less raised by the OASIS’s interactive educational programs, which any kid could access for free. I spent a big chunk of my childhood hanging out in a virtual-reality simulation of Sesame Street, singing songs with friendly Muppets and playing interactive games that taught me how to walk, talk, add, subtract, read, write, and share. Once I’d mastered those skills, it didn’t take me long to discover that the OASIS was also the world’s biggest public library, where even a penniless kid like me had access to every book ever written, every song ever recorded, and every movie, television show, videogame, and piece of artwork ever created. The collected knowledge, art, and amusements of all human civilization were there, waiting for me. But gaining access to all of that information turned out to be something of a mixed blessing. Because that was when I found out the truth....I don’t know, maybe your experience differed from mine. For me, growing up as a human being on the planet Earth in the twenty-first century was a real kick in the teeth. Existentially speaking.The worst thing about being a kid was that no one told me the truth about my situation. In fact, they did the exact opposite. And, of course, I believed them, because I was just a kid and I didn’t know any better. I mean, Christ, my brain hadn’t even grown to full size yet, so how could I be expected to know when the adults were bullshitting me?So I swallowed all of the dark ages nonsense they fed me. Some time passed. I grew up a little, and I gradually began to figure out that pretty much everyone had been lying to me about pretty much everything since the moment I emerged from my mother’s womb.This was an alarming revelation.It gave me trust issues later in life.I started to figure out the ugly truth as soon as I began to explore the free OASIS libraries. The facts were right there waiting for me, hidden in old books written by people who weren’t afraid to be honest. Artists and scientists and philosophers and poets, many of them long dead. As I read the words they’d left behind, I finally began to get a grip on the situation. My situation. Our situation. What most people referred to as “the human condition.”It was not good news.I wish someone had just told me the truth right up front, as soon as I was old enough to understand it. I wish someone had just said:“Here’s the deal, Wade. You’re something called a ‘human being.’ That’s a really smart kind of animal. Like every other animal on this planet, we’re descended from a single-celled organism that lived millions of years ago. This happened by a process called evolution, and you’ll learn more about it later. But trust me, that’s really how we all got here. There’s proof of it everywhere, buried in the rocks. That story you heard? About how we were all created by a super-powerful dude named God who lives up in the sky? Total bullshit. The whole God thing is actually an ancient fairy tale that people have been telling to one another for thousands of years. We made it all up. Like Santa Claus and the Easter Bunny.“Oh, and by the way . . . there’s no Santa Claus or Easter Bunny. Also bullshit. Sorry, kid. Deal with it.“You’re probably wondering what happened before you got here. An awful lot of stuff, actually. Once we evolved into humans, things got pretty interesting. We figured out how to grow food and domesticate animals so we didn’t have to spend all of our time hunting. Our tribes got much bigger, and we spread across the entire planet like an unstoppable virus. Then, after fighting a bunch of wars with each other over land, resources, and our made-up gods, we eventually got all of our tribes organized into a ‘global civilization.’ But, honestly, it wasn’t all that organized, or civilized, and we continued to fight a lot of wars with each other. But we also figured out how to do science, which helped us develop technology. For a bunch of hairless apes, we’ve actually managed to invent some pretty incredible things. Computers. Medicine. Lasers. Microwave ovens. Artificial hearts. Atomic bombs. We even sent a few guys to the moon and brought them back. We also created a global communications network that lets us all talk to each other, all around the world, all the time. Pretty impressive, right?“But that’s where the bad news comes in. Our global civilization came at a huge cost. We needed a whole bunch of energy to build it, and we got that energy by burning fossil fuels, which came from dead plants and animals buried deep in the ground. We used up most of this fuel before you got here, and now it’s pretty much all gone. This means that we no longer have enough energy to keep our civilization running like it was before. So we’ve had to cut back. Big-time. We call this the Global Energy Crisis, and it’s been going on for a while now.“Also, it turns out that burning all of those fossil fuels had some nasty side effects, like raising the temperature of our planet and screwing up the environment. So now the polar ice caps are melting, sea levels are rising, and the weather is all messed up. Plants and animals are dying off in record numbers, and lots of people are starving and homeless. And we’re still fighting wars with each other, mostly over the few resources we have left.“Basically, kid, what this all means is that life is a lot tougher than it used to be, in the Good Old Days, back before you were born. Things used to be awesome, but now they’re kinda terrifying. To be honest, the future doesn’t look too bright. You were born at a pretty crappy time in history. And it looks like things are only gonna get worse from here on out. Human civilization is in ‘decline.’ Some people even say it’s ‘collapsing.’“You’re probably wondering what’s going to happen to you. That’s easy. The same thing is going to happen to you that has happened to every other human being who has ever lived. You’re going to die. We all die. That’s just how it is.“What happens when you die? Well, we’re not completely sure. But the evidence seems to suggest that nothing happens. You’re just dead, your brain stops working, and then you’re not around to ask annoying questions anymore. Those stories you heard? About going to a wonderful place called ‘heaven’ where there is no more pain or death and you live forever in a state of perpetual happiness? Also total bullshit. Just like all that God stuff. There’s no evidence of a heaven and there never was. We made that up too. Wishful thinking. So now you have to live the rest of your life knowing you’re going to die someday and disappear forever.“Sorry.”...OK, on second thought, maybe honesty isn’t the best policy after all. Maybe it isn’t a good idea to tell a newly arrived human being that he’s been born into a world of chaos, pain, and poverty just in time to watch everything fall to pieces. I discovered all of that gradually over several years, and it still made me feel like jumping off a bridge.Luckily, I had access to the OASIS, which was like having an escape hatch into a better reality. The OASIS kept me sane. It was my playground and my preschool, a magical place where anything was possible.The OASIS is the setting of all my happiest childhood memories. When my mom didn’t have to work, we would log in at the same time and play games or go on interactive storybook adventures together. She used to have to force me to log out every night, because I never wanted to return to the real world. Because the real world sucked.I never blamed my mom for the way things were. She was a victim of fate and cruel circumstance, like everyone else. Her generation had it the hardest. She’d been born into a world of plenty, then had to watch it all slowly vanish. More than anything, I remember feeling sorry for her. She was depressed all the time, and taking drugs seemed to be the only thing she truly enjoyed. Of course, they were what eventually killed her. When I was eleven years old, she shot a bad batch of something into her arm and died on our ratty fold-out sofa bed while listening to music on an old mp3 player I’d repaired and given to her the previous Christmas.
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Product details
Paperback: 400 pages
Publisher: Broadway Books; Media Tie In edition (January 30, 2018)
Language: English
ISBN-10: 0804190135
ISBN-13: 978-0804190138
Product Dimensions:
5.1 x 0.8 x 7.9 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
18,781 customer reviews
Amazon Best Sellers Rank:
#18,039 in Books (See Top 100 in Books)
Thing about writing a novel like this as one's debut effort is that, from here on out, there's nowhere to go but down. To wit, Armada. Ernie Cline's Ready Player One impacted me the same way that Suzanne Collins' The Hunger Games did. It's compulsive reading. Cline spins his dystopian quest adventure with supreme vitality and brio and unabashed adoration of all things nerdy. Cyberpunk collides with pop culture nostalgia, and how could you not get nerd out about a book that celebrates iconic elements of the 1980s? I mean, Family Ties is referenced! Oingo Boingo gets a mention.Here comes the plot set-up, and maybe a ***SPOILER ALERT*** now.The year is 2044, and the global population endures its fourth decade of economic collapse. Huzzah. In a world of fading prospects and rapidly dwindling natural resources, everyone's favorite pastime is the Oasis, a massive, all-inclusive multiplayer online game that had metamorphosed into a globally networked virtual reality universe what's now habitually accessed by nearly everyone on the planet. The Oasis has become such a panoptic entity, it's become synonymous with the Internet. In the Oasis, kids attend virtual school, business offices can purchase virtual landscape to promote their wares, virtual concerts are staged. Who wouldn't prefer this utopian cyberspace over bleak reality? When they can look for James Halliday's fabled Easter egg, nestled somewhere in the vastness of Oasis?Eccentric genius video game designer - and creator of Oasis - James Halliday, before dying, recorded a video in which he challenges all comers to seek out his hidden treasure, to first unearth and then figure out the clues he'd embedded in the fabric of his Oasis program. His Easter egg, when found, conveys untold riches and power and unfettered administrative control over the Oasis. Overnight, the hunt for Halliday's treasure became the new global recreation. Halliday's addiction with 1980s pop culture was well documented, and so, too, in their feverish pursuit did these Easter egg hunters - nicknamed "gunters" - immerse themselves in Halliday's obsession, triggering a global revival of 1980s culture. But years and years would elapse before the elusive first clue would surface. Meanwhile, the gunters developed into figures of ridicule.In the slums of Oklahoma City, in the Stacks - a decaying community in which run-down trailer homes are stacked on top of each other - 18-year-old orphan Wade Watts ekes out a miserable existence. Reclusive and anti-social, Wade is a low-level but dedicated gunter, a walking talking encyclopedia of vintage 1980s facts and trivia. He realizes that his only hope for a better life is to win the game. And so he perseveres when so many have given up. And, even though he's only a self-declared "third level wimp," he works out the location of the first clue. It's a life-changing thing.The virtual scoreboard allows everyone to track his and other competitors' progress. Wade - or, rather, his avatar Parzival - becomes an instant worldwide celebrity - making him the target of fellow gunters and groupies and the media and, worse, of sinister corporations hungry to seize control of the Oasis. In his quest for Halliday's holy grail, Wade Watts - alliteratively named by his comic book-reading father - must call on every bit of his tech savvy and knowledge of 1980s culture to outwit his competitors and enemies. He is an awesome character that boasts impressive measures of pluck and resourcefulness and audacity in the face of frightening odds. And Wade Watts only becomes more awesome once he's compelled to venture out into the real world for survival's sake.If the cyberpunk yarns of William Gibson and Neal Stephenson tend to intimidate you, be at ease with Ready Player One. Ernie Cline has crafted an immensely accessible story. He makes you swim in nostalgia. I'm not a 1980s buff, but I'm an old cat who actually lived his childhood thru the '80s, and it is so much fun trying to catch all of Cline's references. Ready Player One is a well-told, richly realized, and incredibly satisfying adventure, one populated by appealing characters. There's even a sweet love story. Wade engages in an online flirtation with a talented fellow gunter named Art3mis, and so we get a peek into Wade's gnawing doubts as to what the person beneath the Art3mis avatar is really like (and even what she really looks like). But that's just misdirection. It's another character who drops the startling reveal."Unputdownable" isn't a real word, yet it's the perfect adjective for this book. I think that everyone, at some level, has a grain of geekness in them. If you've ever envisioned scenes of your favorite cartoons or animes interacting, if you've once loved a movie so much that you've memorized entire passages of its dialogue, or been influenced by a rock song to the extent that you'd picked up a guitar to learn the chords... Ernie Cline revives these feelings. Ready Player One moves like a locomotive, and there are scenes in it that will absolutely explode your nerdy brain. Ready Player One was a New York Times Bestseller. It's soon to be a blockbuster motion picture what's directed by Steven Spielberg, and, self-deprecating guy that he is, good luck to him trying to tamp down on the book's references to his movies. I'm hyped for the movie. But the book came first, and the book will have an even more special place in my nerd heart. It's easily in my top five favorite reads ever. Ready Player One, yeah, an immersive, imaginative, childhood-mining, unputdownable read. Armada, not so much.
Reads like it was written by a high-school student. And to the people that think that's because it's POV: ALL of his writing is like that. Everything that the protagonist needs to happen, happens fine and everything works out because he is the chosen one of some rich nerd's world. It's the worst kind of wish fulfillment. I hate the term Mary-Sue but that's what this book is about.
I got this after seeing the movie and hearing from a few friends about how different the book is. My two main points after reading this book in 3 days:1. Love the 80's pop culture references integrated into the story. No book I've ever read has ever gone this deep into 80's game, movie, TV, music references. The writer is obviously a true 80's fanatic and geek. No doubt about that, this guy has lived it and did his homework.2. The main character is completely unlikable. He never arcs or changes, even at the end (finding 'love' is not a character change). Honestly, I've never read a book where the main character is just a complete and utter unlikeable character even to the end. You never really want this jerk to succeed. His inner workings and thoughts are as just about as bad as the main villain.Conclusion-Steven Spielberg did a brilliant job taking the meat of this story and actually making the primarily character LIKEABLE because the writer was just down right horrible at it. If the filmmakers had followed the book, no doubt it wouldn't have been successful. I did enjoy the 80's references, but too bad the main character was unlikable.
I can hardly understand the allure of this novel. Or how it managed to gain such popularity. Feels like its written for a fourteen year old, which is in such contrast to the age group who would either understand or have experienced anything that happens in this book... those of us in our late thirties, early forties. It read like a list of games and game explanations, with zero character development. I never finished... because I really didn't care about any of the characters in the book or what the outcome would be. I often found myself nodding off, chapter after chapter. It's a poor write... and a poorer read.
Tolkien wrote Lord of the Rings as a 'myth for the machine age.' I think RP1 is an imaginative fairy tale for the online-gamer / virtual reality age. And the picture isn't pretty. I'm not talking about the cliche'd 'environmental apocalypse' of the outside world that the gamers actually live in, but the way that VR *is* their reality, and, to the characters, and in a very truthful way, the only reality that matters.That disturbing aspect of Cline's novel is imaginatively and entertainingly written. The first third of the novel is a marvel. I'd give it ten stars. The second two-thirds, like The Martian in many ways, is a bit repetitive and predictable in a TV-series sort of way.The novel is worthy and well-written, and the fairy tale aspect is touching. You end up rooting for the heroes and heroine, and even get a small glimpse into the motivations and heart of the villain (though I think he could have been much better presented, a la J. K. Rowling's villains).All in all, a highly enjoyable book. The best take I've read on VR and online gaming. Plus it's lots of fun!
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Free Download Physical Activity Instruction of Older Adults
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About the Author
Debra Rose, PhD, is a professor in the division of kinesiology and health science and director of the Center for Successful Aging at California State University at Fullerton. She also serves as codirector of the Fall Prevention Center of Excellence at the University of Southern California. Her primary research focus is on the enhancement of mobility, postural control, and the prevention of falls in later years. Rose is nationally and internationally recognized for her work in assessment and programming for fall risk reduction. Her research in fall risk reduction in the elderly has been published in numerous peer-reviewed publications, including the Journal of the American Geriatrics Society, Archives of Physical Medicine and Rehabilitation, Neurology Report, and the Journal of Aging and Physical Activity—where she also served as an editor in chief. She was an expert contributor to Global Report on Falls Prevention in Older Age, published by the World Health Organization in 2007. Rose is the creator of the innovative fall risk reduction program FallProof™, which was recognized by the Health Promotion Institute of the National Council on Aging (NCOA) in 2006 as a Best Practice program in health promotion. This program is currently being implemented in numerous community-based settings and retirement communities throughout the United States. Rose was also the recipient of the 2013 Herbert A. DeVries Award for Distinguished Research on Aging from the American Association for Physical Activity and Recreation. She is a fellow and past president of the National Academy of Kinesiology (formerly American Academy of Kinesiology and Physical Education) and former executive board member of the North American Society for the Psychology of Sport and Physical Activity.
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Product details
Paperback: 417 pages
Publisher: Human Kinetics; 2 edition (August 8, 2018)
Language: English
ISBN-10: 1450431062
ISBN-13: 978-1450431064
Product Dimensions:
8.2 x 1 x 10.8 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#756,535 in Books (See Top 100 in Books)
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